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Christian Aberle, Eddy 1, 2021–2022, dispersion on nylon, fibreglass rack, nylon string, synthetic bordure 105 x 80 cm, tail 400 cm / 41.3 x 31.5 in, tail 157.5 in, edition of 6 uniques, 1/6

Christian Aberle, Eddy 1, 2021–2022, dispersion on nylon, fibreglass rack, nylon string, synthetic bordure 105 x 80 cm, tail 400 cm / 41.3 x 31.5 in, tail 157.5 in, edition of 6 uniques, 1/6

Christian Aberle. Eddy & Daniel Baker. Reflector

https://lrrh.de/


05.11.2022 - 25.02.2023
LRRH_ AERIAL Kapuzinergasse 24 40213 Düsseldorf
The flood of signifiers and arbitrary signs – not only in our society but also in art – is accompanied by the disappearance of objects. Christian Aberle is someone who loves objects for their own sake, like a craftsman. This involves, that the Cologne based artist enjoys to spend ludicrous effort in processing drawings and paintings that often reduce the idea of technical perfection to absurdity. In these works Aberle always addresses the world and its standards, but also himself and his actions.

"Eddy" is the first show of LRRH_ Aerial /chapter_² – "Kite". The series on display combines six kites, hand-painted with dispersion on nylon kite-fabric. The chosen, rhombic prototype shape is called "Eddy", after its inventor William A. Eddy (1896 – 1962). The single kites of the series can be combined into one object. The contour of this combination is no longer diamond-shaped but more reminiscent of a grenade, plug or heraldry. This outline, in turn, determines the central colour area of six in each kite. The gentle, hard-edged colour modulations in each area cause the surface to look like it has creases. The dispersal of the polygonal colour fields was defined by connecting the four corner points of all kites with all others. The resulting composition is crystal clear and dissecting and the same goes for the range of colours. The kite tails, made of shimmering braid, are "puffy" in comparison, causing a "tender disjunction". "Eddy" #1 - 6 are absolutely airworthy. To imagine these highly delicate and time-wrought paintings exposed to the whims of the wind is nonetheless exciting.

Eingetragen am: Dienstag, 15.11.2022


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